Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 49 筆
第 128 頁
... important for the creative mind to be in hsü - ching , to be empty and still . At the beginning of this paper , I have referred to the modern phenomenologists ' similar concept that the creative consciousness has to retreat from or ...
... important for the creative mind to be in hsü - ching , to be empty and still . At the beginning of this paper , I have referred to the modern phenomenologists ' similar concept that the creative consciousness has to retreat from or ...
第 164 頁
... important to a comparatist as any given sonnet's individual qualities . Comparative literature is both an individualized and a generalized approach to literature . A comparatist can never study a single work or a single author in ...
... important to a comparatist as any given sonnet's individual qualities . Comparative literature is both an individualized and a generalized approach to literature . A comparatist can never study a single work or a single author in ...
第 398 頁
... important events of " comparative literature " from 200 B.C. until the end of 1985. Except for those important events which occurred in recent decades , I think the " ancient " ones are only important as vague precursors to the study of ...
... important events of " comparative literature " from 200 B.C. until the end of 1985. Except for those important events which occurred in recent decades , I think the " ancient " ones are only important as vague precursors to the study of ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York