Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 29 筆
第 9 頁
... interest , and will accept the relativity of the results as being logically related to the problem under examination ( but not to all other possible questions ) . Most important of all , literary history will cease to be an island ...
... interest , and will accept the relativity of the results as being logically related to the problem under examination ( but not to all other possible questions ) . Most important of all , literary history will cease to be an island ...
第 325 頁
... interest in historicist - positivist considerations to that in aesthetics resulting from the emergence of New Criticism , which signified a change in critical paradigm . Before New Criticism , the critic's job was to find out the ...
... interest in historicist - positivist considerations to that in aesthetics resulting from the emergence of New Criticism , which signified a change in critical paradigm . Before New Criticism , the critic's job was to find out the ...
第 326 頁
... interest was in literary history , on which traditional studies in comparative literature represented by the French School were based . The twentieth - century interest in literary study shows a gradual move from literary history to ...
... interest was in literary history , on which traditional studies in comparative literature represented by the French School were based . The twentieth - century interest in literary study shows a gradual move from literary history to ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York