Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 51 筆
第 29 頁
... Later , in order to clarify the purpose of the ritual , particularly for later participants , meaningful words replaced these sound sequences and , thus , gave birth to the embryo of a song . These earliest songs often retained the ...
... Later , in order to clarify the purpose of the ritual , particularly for later participants , meaningful words replaced these sound sequences and , thus , gave birth to the embryo of a song . These earliest songs often retained the ...
第 118 頁
... later Heidegger appropriating ( without Yip's seeing any apparent effect ) a poem written in the Chinese language . I pointed out the violence of linguistic appropriation in the early Heidegger merely to indicate why I think Yip prefers ...
... later Heidegger appropriating ( without Yip's seeing any apparent effect ) a poem written in the Chinese language . I pointed out the violence of linguistic appropriation in the early Heidegger merely to indicate why I think Yip prefers ...
第 132 頁
... later , " is to make up one's mind about nothing to let the mind be a thoroughfare for all thoughts " ( Bate in Bloom 332 ) . Bate's comment on this bears a striking resemblance to the idea of hsü - ching : " In our life of ...
... later , " is to make up one's mind about nothing to let the mind be a thoroughfare for all thoughts " ( Bate in Bloom 332 ) . Bate's comment on this bears a striking resemblance to the idea of hsü - ching : " In our life of ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York