Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 15 筆
第 63 頁
... living and for generation And a time for the wind to break the loosened And from Burnt Norton : pane ... 22 At the still point of the turning world . Neither flesh nor fleshless ; Neither from nor towards ; at the still point , there ...
... living and for generation And a time for the wind to break the loosened And from Burnt Norton : pane ... 22 At the still point of the turning world . Neither flesh nor fleshless ; Neither from nor towards ; at the still point , there ...
第 110 頁
... living on there , perhaps more alive there than it has been elsewhere in a long long time . ( Cf. Derrida , “ Living On , " Deconstruction and Criticism , Bloom et . al . ) WILLIAM F. TOUPONCE A Far / fell / a Gasping . . . 110 TAMKANG ...
... living on there , perhaps more alive there than it has been elsewhere in a long long time . ( Cf. Derrida , “ Living On , " Deconstruction and Criticism , Bloom et . al . ) WILLIAM F. TOUPONCE A Far / fell / a Gasping . . . 110 TAMKANG ...
第 279 頁
... living , which can hardly be other than living amongst the facts of subordination and domination and at their behest ? The epistemological problem , inseparable from these two : is art refraction , invention , transformation ? Then ...
... living , which can hardly be other than living amongst the facts of subordination and domination and at their behest ? The epistemological problem , inseparable from these two : is art refraction , invention , transformation ? Then ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York