Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 66 筆
第 128 頁
... mind . The other part is the " negative capability ” — a phrase made prominent by John Keats whose letters are frequently found in anthologies of critical writings . The Negative Capability The creative mind has to be released and ...
... mind . The other part is the " negative capability ” — a phrase made prominent by John Keats whose letters are frequently found in anthologies of critical writings . The Negative Capability The creative mind has to be released and ...
第 130 頁
... mind of an ordinary mortal is clogged with worldly concerns and blunted by preconceptions . To ensure that the creative mind functions on a higher order it has to be purged first . The mind is to be emptied of all irrelevancies , which ...
... mind of an ordinary mortal is clogged with worldly concerns and blunted by preconceptions . To ensure that the creative mind functions on a higher order it has to be purged first . The mind is to be emptied of all irrelevancies , which ...
第 133 頁
... mind in hsü - ching transforms itself to the dynamic aspect of spiritual thinking . In other words , the question is how the apparently passive state of the literary mind leads to its dynamic aspect . Hsün - tzu , another possible ...
... mind in hsü - ching transforms itself to the dynamic aspect of spiritual thinking . In other words , the question is how the apparently passive state of the literary mind leads to its dynamic aspect . Hsün - tzu , another possible ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York