Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 52 筆
第 149 頁
... narrative lines his terminology is host ( chu ) and guest ( pin ) which whilst always clearly distinguish- able are also complementary.43 An example of the practical ... narrative lines ( tou - sun ) THE TECHNIQUES OF NARRATIVE 149.
... narrative lines his terminology is host ( chu ) and guest ( pin ) which whilst always clearly distinguish- able are also complementary.43 An example of the practical ... narrative lines ( tou - sun ) THE TECHNIQUES OF NARRATIVE 149.
第 165 頁
... narrative grammar . Unlike other structuralists , Greimas is more concerned with meaning and signification systems than with reducing a complex narrative into a few basic operations . If there is a universal grammar of narrative , it ...
... narrative grammar . Unlike other structuralists , Greimas is more concerned with meaning and signification systems than with reducing a complex narrative into a few basic operations . If there is a universal grammar of narrative , it ...
第 168 頁
narrative elements must first be distinguished from non - narrative ones . The first sentence , for instance , a qualifying statement , which describes Wei Ku's desire to have a wife , serves to give background information and is not ...
narrative elements must first be distinguished from non - narrative ones . The first sentence , for instance , a qualifying statement , which describes Wei Ku's desire to have a wife , serves to give background information and is not ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York