Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 53 筆
第 140 頁
... novel - a situation that prevailed until recent decades . More importantly , Chin Sheng - t'an's commentary was at ... novel San - kuo chi t'ung - su yen - iton ( The Romance of the Three Kingdoms ) , was to take direct issue with Chin ...
... novel - a situation that prevailed until recent decades . More importantly , Chin Sheng - t'an's commentary was at ... novel San - kuo chi t'ung - su yen - iton ( The Romance of the Three Kingdoms ) , was to take direct issue with Chin ...
第 146 頁
... novel have their principles of organization . " 31 In specific terms , Chin considers The Water Margin to comprize highly individualized biographies of each of the 108 main characters of the novel : With other books [ Chin Sheng - t'an ...
... novel have their principles of organization . " 31 In specific terms , Chin considers The Water Margin to comprize highly individualized biographies of each of the 108 main characters of the novel : With other books [ Chin Sheng - t'an ...
第 151 頁
... novels ] have the sort of twists and turns [ contained in this novel ] ? 50 To this end , Mao Tsung - kang illustrates how the novel makes effective use of both continuous narration ( i - lien hsieh - ch'ü — ) and interrupted narration ...
... novels ] have the sort of twists and turns [ contained in this novel ] ? 50 To this end , Mao Tsung - kang illustrates how the novel makes effective use of both continuous narration ( i - lien hsieh - ch'ü — ) and interrupted narration ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York