Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 55 筆
第 78 頁
... Perhaps the sage's language , like the tree , is camouflaged by its very everydayness . This big saying viewed from the standpoint of its unifying / nihilating ground is too deep to be undercut or understood ; viewed from the standpoint ...
... Perhaps the sage's language , like the tree , is camouflaged by its very everydayness . This big saying viewed from the standpoint of its unifying / nihilating ground is too deep to be undercut or understood ; viewed from the standpoint ...
第 81 頁
... perhaps , underlies the Chinese box structure of the disappearing ground passage . The big saying or big image of disappearing ground is meant to show / describe the usefulness of deep ground / big saying ; the usefulness of the latter ...
... perhaps , underlies the Chinese box structure of the disappearing ground passage . The big saying or big image of disappearing ground is meant to show / describe the usefulness of deep ground / big saying ; the usefulness of the latter ...
第 96 頁
... perhaps his yin shih , that shifts easily between opposite meanings and interchanges them . He may use the yin shih but does not use the wei shih ; only Tao itself interchanges things / meanings " and deems them one " ( tao - t'ung wei ...
... perhaps his yin shih , that shifts easily between opposite meanings and interchanges them . He may use the yin shih but does not use the wei shih ; only Tao itself interchanges things / meanings " and deems them one " ( tao - t'ung wei ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York