Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 74 筆
第 382 頁
... poetic feeling in the accepted methods of presenting poetry of China . * Even among poets in English before 1909 , there is a signal ignorance of Chinese poetry , in spite of the fact that Herbert Giles ' Chinese Poetry in English Verse ...
... poetic feeling in the accepted methods of presenting poetry of China . * Even among poets in English before 1909 , there is a signal ignorance of Chinese poetry , in spite of the fact that Herbert Giles ' Chinese Poetry in English Verse ...
第 383 頁
... poetic idiom in English . Indeed , the acceptance of Chinese poetry - in - translation as poetry in English is linked to a change in sensibilities that took place in English poetics during the first two decades of the century . We find ...
... poetic idiom in English . Indeed , the acceptance of Chinese poetry - in - translation as poetry in English is linked to a change in sensibilities that took place in English poetics during the first two decades of the century . We find ...
第 389 頁
... poetics have accustomed us as readers to accept the unexplained presentation of the object world as charged with ... poetic technology cannot accommodate the transfer . What must be plain by now is that Chinese poetry had little or ...
... poetics have accustomed us as readers to accept the unexplained presentation of the object world as charged with ... poetic technology cannot accommodate the transfer . What must be plain by now is that Chinese poetry had little or ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York