Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 80 筆
第 5 頁
... readers ' reactions than in the author's intentions , more in the reception than in the production of texts . One ... readers , and the reconstruction of the codes of later readers , which will differ more from those of the first readers ...
... readers ' reactions than in the author's intentions , more in the reception than in the production of texts . One ... readers , and the reconstruction of the codes of later readers , which will differ more from those of the first readers ...
第 143 頁
... readers be made aware of the confluence of their views . Having thus established the authority of his commentary , Mao Tsung - kang then turns to a systematic exposition of his analysis of the novel . The most pressing concern of his ...
... readers be made aware of the confluence of their views . Having thus established the authority of his commentary , Mao Tsung - kang then turns to a systematic exposition of his analysis of the novel . The most pressing concern of his ...
第 420 頁
... readers ' imagination by leaving some " gaps " in the poems or novels for the readers to fill . 6. Narratology This theory , in Yue's words , emphasizes the sophisticated analysis of the relation between a story and all the other ...
... readers ' imagination by leaving some " gaps " in the poems or novels for the readers to fill . 6. Narratology This theory , in Yue's words , emphasizes the sophisticated analysis of the relation between a story and all the other ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York