Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 45 筆
第 237 頁
... reality , one merely perceives superficialities and coverings , not the reality . When one defines reality in terms of superficial aspects , reality itself becomes unfathomable . In Being There , Kosinski demonstrates the farce caused ...
... reality , one merely perceives superficialities and coverings , not the reality . When one defines reality in terms of superficial aspects , reality itself becomes unfathomable . In Being There , Kosinski demonstrates the farce caused ...
第 376 頁
... reality of historical crisis amid the vanity of time , language , and con- sciousness itself . For time informs language and consciousness ; and together they remain the crucial mediations to any form of human understanding of reality ...
... reality of historical crisis amid the vanity of time , language , and con- sciousness itself . For time informs language and consciousness ; and together they remain the crucial mediations to any form of human understanding of reality ...
第 407 頁
... reality of their own age and social context . This is indeed a very big claim . Having in mind the great variety and complexity of twentieth- century " reality , " one wonders how " representative " Hemingway is of " the lost generation ...
... reality of their own age and social context . This is indeed a very big claim . Having in mind the great variety and complexity of twentieth- century " reality , " one wonders how " representative " Hemingway is of " the lost generation ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York