Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 25 筆
第 328 頁
... reception . More and more scholars have become aware of the usefulness of rezep tionsästhetik as a methodological concept in comparative literature . Following Harold Bloom's argument , Jonathan Culler redefined literary influence in ...
... reception . More and more scholars have become aware of the usefulness of rezep tionsästhetik as a methodological concept in comparative literature . Following Harold Bloom's argument , Jonathan Culler redefined literary influence in ...
第 334 頁
... reception and influence can be benefited from the three tasks of literary history proposed by Felix Vodička : firstly , the study of the literary text as historical actualizations of its meanings ; secondly , the study of historical and ...
... reception and influence can be benefited from the three tasks of literary history proposed by Felix Vodička : firstly , the study of the literary text as historical actualizations of its meanings ; secondly , the study of historical and ...
第 339 頁
... reception- influence study . For analogy study , the " common ground " for interpretation gives the critic the criteria to distinguish true resemblances from false ... reception . As Jauss declares in his essay , RECEPTION THEORY 339.
... reception- influence study . For analogy study , the " common ground " for interpretation gives the critic the criteria to distinguish true resemblances from false ... reception . As Jauss declares in his essay , RECEPTION THEORY 339.
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York