Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 65 筆
第 47 頁
... senses unseparated ) in a sort of simultaneous and continuous intercourse with all the beings around him , as if they were literary extensions of his own organism . It is this sense of totalism that has made it possible for him to come ...
... senses unseparated ) in a sort of simultaneous and continuous intercourse with all the beings around him , as if they were literary extensions of his own organism . It is this sense of totalism that has made it possible for him to come ...
第 234 頁
... sense organs , assuming that what they see or hear is total reality , and they define the self in terms of superficial knowledge and extrinsic values . The Limitations of Sense Perception The senses are a potential source of danger ...
... sense organs , assuming that what they see or hear is total reality , and they define the self in terms of superficial knowledge and extrinsic values . The Limitations of Sense Perception The senses are a potential source of danger ...
第 298 頁
... sense . But what in the end makes it readable and even memorable is the total sense the book involves of a whole greater than the sum of its parts and which somehow just succeeds in being an ensemble . On this score the novel fully ...
... sense . But what in the end makes it readable and even memorable is the total sense the book involves of a whole greater than the sum of its parts and which somehow just succeeds in being an ensemble . On this score the novel fully ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York