Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 43 筆
第 21 頁
song . When song is insufficient , unconsciously hands begin to move and feet to dance.8 Again , both this inseparability ... songs by a contemporary advocate of primitive poetry , Gary Snyder . Together with ritualistic chants , hymns ...
song . When song is insufficient , unconsciously hands begin to move and feet to dance.8 Again , both this inseparability ... songs by a contemporary advocate of primitive poetry , Gary Snyder . Together with ritualistic chants , hymns ...
第 30 頁
... songs display any explosion of individual emotion or soul - cry . These songs " happen ” at different stages of a ritualistic attempt to communicate with the plant , the animal and the superhuman worlds , and , consequently , they ...
... songs display any explosion of individual emotion or soul - cry . These songs " happen ” at different stages of a ritualistic attempt to communicate with the plant , the animal and the superhuman worlds , and , consequently , they ...
第 32 頁
... songs 30 ) and the written poems by artistic poets . What might have happened is this : As the simple ritualistic songs developed , the incantatory repetitions and formulaic expressions , through a process of thinning down or ...
... songs 30 ) and the written poems by artistic poets . What might have happened is this : As the simple ritualistic songs developed , the incantatory repetitions and formulaic expressions , through a process of thinning down or ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York