Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 39 筆
第 201 頁
... traditional bare one to fit Western audience preferences . 37 38 Since the younger generation educated in western ways has little motivation and method to discover the traditional dramatic repertory and since Peking Opera would thus ...
... traditional bare one to fit Western audience preferences . 37 38 Since the younger generation educated in western ways has little motivation and method to discover the traditional dramatic repertory and since Peking Opera would thus ...
第 202 頁
... traditional drama , the difficulty of gleaning dramatic materials is even greater than studying Western drama . Consequently , they prefer to find explanations in distant cultures and advocate " horizontal transplantation " from the ...
... traditional drama , the difficulty of gleaning dramatic materials is even greater than studying Western drama . Consequently , they prefer to find explanations in distant cultures and advocate " horizontal transplantation " from the ...
第 328 頁
... traditional interest of literary reception is not in the readers ' interpretation of a work , but rather on the author's impact and fortune in another culture . Despite severe criticism , influence studies in the traditional way have ...
... traditional interest of literary reception is not in the readers ' interpretation of a work , but rather on the author's impact and fortune in another culture . Despite severe criticism , influence studies in the traditional way have ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York