Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 77 筆
第 9 頁
... written , and the need has been felt to give a more specific answer to that question than the common sense reply that history is to satisfy our curiosity , or Johan Huizinga's suggestion that history is to account for the past . In view ...
... written , and the need has been felt to give a more specific answer to that question than the common sense reply that history is to satisfy our curiosity , or Johan Huizinga's suggestion that history is to account for the past . In view ...
第 252 頁
... written in Fortran language , were used to instruct the computer to transform the data to formats suitable for the ... written in Peking dialect . The Dream also is essentially written in Peking dialect . This linguistic feature makes ...
... written in Fortran language , were used to instruct the computer to transform the data to formats suitable for the ... written in Peking dialect . The Dream also is essentially written in Peking dialect . This linguistic feature makes ...
第 392 頁
... written character was the apologia Pound wanted in print , but it was to find no receptivity until 1919 , and only then in the United States . In 1915 Pound complained to Felix Schelling : Fenollosa has left a most enlightening essay on ...
... written character was the apologia Pound wanted in print , but it was to find no receptivity until 1919 , and only then in the United States . In 1915 Pound complained to Felix Schelling : Fenollosa has left a most enlightening essay on ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York