Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 15 筆
第 137 頁
... beautiful lady now ? The swallow is locked up inside , all for nothing . Past and present are like a dream ; Who has ... beautiful courtesan is now empty , save for the swallows that come to rest there . Such is the fate of all men and ...
... beautiful lady now ? The swallow is locked up inside , all for nothing . Past and present are like a dream ; Who has ... beautiful courtesan is now empty , save for the swallows that come to rest there . Such is the fate of all men and ...
第 254 頁
... ( beautiful literary patterns ) . If , as Huang K'an says , " the ' wind ' is the idea and the bone is the language " ( Cha - chi , 101 ) , ts'ai should have been included in the concept of ku . Yet , in Liu Hsieh's discussion ts'ai ...
... ( beautiful literary patterns ) . If , as Huang K'an says , " the ' wind ' is the idea and the bone is the language " ( Cha - chi , 101 ) , ts'ai should have been included in the concept of ku . Yet , in Liu Hsieh's discussion ts'ai ...
第 256 頁
... beautiful colors , so as to give the readers an abundance of taste and the hearers a profound impression " ( Chen Yen - chieh , 4 ) . What Chung calls taste ( wei ) is the affective quality of poetry that comes mainly from the vitality ...
... beautiful colors , so as to give the readers an abundance of taste and the hearers a profound impression " ( Chen Yen - chieh , 4 ) . What Chung calls taste ( wei ) is the affective quality of poetry that comes mainly from the vitality ...
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actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing