Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 58 筆
第 357 頁
... expression of the sign was in the phenomenal substance of phonic images , and that writing was to speech as phonemes were to concepts . In the 1930s , Hjelmslev especially argued against the retention of this hoary dogma of alphabetic ...
... expression of the sign was in the phenomenal substance of phonic images , and that writing was to speech as phonemes were to concepts . In the 1930s , Hjelmslev especially argued against the retention of this hoary dogma of alphabetic ...
第 487 頁
... expression of feeling as the sine qua non of lyric poetry ; the other is that both involve a search for palpable means of articulating what is felt within by turning to outer reality for expression of feeling . This is because outer ...
... expression of feeling as the sine qua non of lyric poetry ; the other is that both involve a search for palpable means of articulating what is felt within by turning to outer reality for expression of feeling . This is because outer ...
第 488 頁
... expression of the thoughts and feelings of the poet . Compared to the notion of " scene " in Chinese poetry , outer reality when employed figuratively in English poetry , rarely remains external or parallel to the emotional tenor of the ...
... expression of the thoughts and feelings of the poet . Compared to the notion of " scene " in Chinese poetry , outer reality when employed figuratively in English poetry , rarely remains external or parallel to the emotional tenor of the ...
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常見字詞
actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing