Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 52 筆
第 487 頁
... feeling as the sine qua non of lyric poetry ; the other is that both involve a search for palpable means of articulating what is felt within by turning to outer reality for expression of feeling . This is because outer reality ...
... feeling as the sine qua non of lyric poetry ; the other is that both involve a search for palpable means of articulating what is felt within by turning to outer reality for expression of feeling . This is because outer reality ...
第 491 頁
... feeling " as a proto - mode of poetic expression in Chinese lyrics . The characteristic absence of any logical or ... feeling . " The syntactical separateness between " scene " and " feeling " is a crucial characteristic of this mode ...
... feeling " as a proto - mode of poetic expression in Chinese lyrics . The characteristic absence of any logical or ... feeling . " The syntactical separateness between " scene " and " feeling " is a crucial characteristic of this mode ...
第 500 頁
... feeling in English poetry . First , the relationship between the two worlds is almost always specified through logical or grammatical connectives . Second , as a result , outer reality relates to inner feeling in an either / or ...
... feeling in English poetry . First , the relationship between the two worlds is almost always specified through logical or grammatical connectives . Second , as a result , outer reality relates to inner feeling in an either / or ...
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常見字詞
actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing