Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 33 筆
第 455 頁
... final movement is essential : through it the new readers of the literature participate in the tradition , pose its old question afresh , and begin to allow the hermeneutics to become a way of knowing rather than an object of knowledge ...
... final movement is essential : through it the new readers of the literature participate in the tradition , pose its old question afresh , and begin to allow the hermeneutics to become a way of knowing rather than an object of knowledge ...
第 494 頁
... Final Scene The presentation of " scene " is by nature open - ended . But when the " scene " appears at the end of a poem it is even more so . To end a poem with a " scene , " known as yi - ching chieh - chu is a common practice in ...
... Final Scene The presentation of " scene " is by nature open - ended . But when the " scene " appears at the end of a poem it is even more so . To end a poem with a " scene , " known as yi - ching chieh - chu is a common practice in ...
第 502 頁
... final line also help reinforce the infinity and constancy of nature as contrasted with the vicissitudes of human achievement . It is worth noting how a Western critic , Charles Wheeler , reads the final " scene " of " Ozymandias " as a ...
... final line also help reinforce the infinity and constancy of nature as contrasted with the vicissitudes of human achievement . It is worth noting how a Western critic , Charles Wheeler , reads the final " scene " of " Ozymandias " as a ...
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常見字詞
actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing