Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 57 筆
第 265 頁
... force . The nature force makes changes in the objects possible . The changes assigned to ( caused by ) the nature force will be called nature events . World WN is a world of a dynamic , but inanimate , unintentional nature . c ) World ...
... force . The nature force makes changes in the objects possible . The changes assigned to ( caused by ) the nature force will be called nature events . World WN is a world of a dynamic , but inanimate , unintentional nature . c ) World ...
第 269 頁
... force , namely the so - called " classical " Er - form and the so - called skaz - form . In the classical Er - form , the narrator's texture is endowed with an automatic and absolute authentication force . Whatever is asserted in the ...
... force , namely the so - called " classical " Er - form and the so - called skaz - form . In the classical Er - form , the narrator's texture is endowed with an automatic and absolute authentication force . Whatever is asserted in the ...
第 538 頁
... force with which the poet is fully charged within during artistic creation . This primordial force of creativity is often con- cretized through images of vast and magnificent natural objects such as " spreading wides , " " Thousand ...
... force with which the poet is fully charged within during artistic creation . This primordial force of creativity is often con- cretized through images of vast and magnificent natural objects such as " spreading wides , " " Thousand ...
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actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing