Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 80 筆
第 170 頁
... human and nonhuman nature , that places man at one with the universe but only as a part of a landscape . Any number of postmodern poets find the dissolution of assertive ego necessary to produce such poetry the best means at getting at ...
... human and nonhuman nature , that places man at one with the universe but only as a part of a landscape . Any number of postmodern poets find the dissolution of assertive ego necessary to produce such poetry the best means at getting at ...
第 263 頁
... human - like being with the property of speech and laughter . 4 By constructing Odradek and Odradek , Kafka has revealed the essence of human imagination . Imagination has to use quasi - actual constituents , but its poetic procedures ...
... human - like being with the property of speech and laughter . 4 By constructing Odradek and Odradek , Kafka has revealed the essence of human imagination . Imagination has to use quasi - actual constituents , but its poetic procedures ...
第 348 頁
... human smell upon the latter . It is the very human smell which composes the definition of motive . Another example - " Apricot Wood House " X Sequence ) : ( No. 3 in the 文杏裁為梁香茅結為宇不知棟裏雲去作人間雨 Apricot trees cut into ...
... human smell upon the latter . It is the very human smell which composes the definition of motive . Another example - " Apricot Wood House " X Sequence ) : ( No. 3 in the 文杏裁為梁香茅結為宇不知棟裏雲去作人間雨 Apricot trees cut into ...
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actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing