Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 30 筆
第 250 頁
... imagination , " since imagination was no longer " the predominating quality of the novelist . " On the contrary , one has to speak of his " wonderful faculties of observation and analysis " ( Zola in Stevick , 50-51 ) . Granting that ...
... imagination , " since imagination was no longer " the predominating quality of the novelist . " On the contrary , one has to speak of his " wonderful faculties of observation and analysis " ( Zola in Stevick , 50-51 ) . Granting that ...
第 258 頁
... imagination , " stands in relation to those extraneous matters . His remarks are helpful to our understanding of Liu's concept : A work of art is not simply a member of a series , a link in a chain . It may stand in relation to anything ...
... imagination , " stands in relation to those extraneous matters . His remarks are helpful to our understanding of Liu's concept : A work of art is not simply a member of a series , a link in a chain . It may stand in relation to anything ...
第 263 頁
... imagination . Imagination has to use quasi - actual constituents , but its poetic procedures give rise to fictional entitiês with new properties , new structures , new modes of existence . Moreover , the cohabitation of the purely ...
... imagination . Imagination has to use quasi - actual constituents , but its poetic procedures give rise to fictional entitiês with new properties , new structures , new modes of existence . Moreover , the cohabitation of the purely ...
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actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing