Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 65 筆
第 253 頁
... important as it is , does not suffice . There is no doubt that Liu Hsieh's ku refers mainly to the structure of a literary work . He demands that the literary pattern should have a " straight " structure , a fine rhetoric , and that it ...
... important as it is , does not suffice . There is no doubt that Liu Hsieh's ku refers mainly to the structure of a literary work . He demands that the literary pattern should have a " straight " structure , a fine rhetoric , and that it ...
第 257 頁
... important points into relief . ( S 180 ; W 32/89/18 ff . ) The objective of these steps is the achievement of " a ... importance of an artist's ability to create novel effects , to adapt to new situations , new modes and cadences . Yet ...
... important points into relief . ( S 180 ; W 32/89/18 ff . ) The objective of these steps is the achievement of " a ... importance of an artist's ability to create novel effects , to adapt to new situations , new modes and cadences . Yet ...
第 331 頁
... important indicator of the general direction in which Chinese poetry was going to develop . The reasons for the preference here may be literary as well as extra - literary . By building on an ambiguity , hsing allows for a greater room ...
... important indicator of the general direction in which Chinese poetry was going to develop . The reasons for the preference here may be literary as well as extra - literary . By building on an ambiguity , hsing allows for a greater room ...
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常見字詞
actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing