Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 89 筆
第 143 頁
... lines suggestive of Hsieh's effort to put time under his control : " By night we / EX sailed across the Yu - p'u Deep , / At dawn we came abreast of Fu - ch'un town " ( Frodsham , I , 119 ; Huang , p . 70 ) . The two lines easily remind ...
... lines suggestive of Hsieh's effort to put time under his control : " By night we / EX sailed across the Yu - p'u Deep , / At dawn we came abreast of Fu - ch'un town " ( Frodsham , I , 119 ; Huang , p . 70 ) . The two lines easily remind ...
第 237 頁
... line ( 71 ) is metrically neutral , inverted or not . However , ' masculine ' lines - namely verses with a downbeat on the final syllable are favored over the ' feminine ' lines ( with a weakly stressed or unstressed final syllable ) in ...
... line ( 71 ) is metrically neutral , inverted or not . However , ' masculine ' lines - namely verses with a downbeat on the final syllable are favored over the ' feminine ' lines ( with a weakly stressed or unstressed final syllable ) in ...
第 343 頁
... lines . If we follow the strategy of reading and draw an equation between the first two lines , we may not find much interaction between them , except the apparent contrast between " new " and " ancient " ; each occupies the first ...
... lines . If we follow the strategy of reading and draw an equation between the first two lines , we may not find much interaction between them , except the apparent contrast between " new " and " ancient " ; each occupies the first ...
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actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing