Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 23 筆
第 151 頁
... lost friendship . A sense of loneliness pervades the next four lines , and we feel that the poet is desperately longing for communi- cation . As he despondently and very effectively complains , he " can tell no one " how he feels or has ...
... lost friendship . A sense of loneliness pervades the next four lines , and we feel that the poet is desperately longing for communi- cation . As he despondently and very effectively complains , he " can tell no one " how he feels or has ...
第 453 頁
... lost art , there are two imperatives : first , it must be reconstituted as itself and not assimilated into the conceptual and artistic world within which it is reconstituted ; second , it must be known not as an object but as an art , a ...
... lost art , there are two imperatives : first , it must be reconstituted as itself and not assimilated into the conceptual and artistic world within which it is reconstituted ; second , it must be known not as an object but as an art , a ...
第 526 頁
... lost in the lexical maze or , in the prison- house of language , to appropriate Fredric Jameson's term . This explains why he says emphatically in Chapter XLI , " Tao conceals itself in being nameless . " Lao Tzu's hesitancy to name ...
... lost in the lexical maze or , in the prison- house of language , to appropriate Fredric Jameson's term . This explains why he says emphatically in Chapter XLI , " Tao conceals itself in being nameless . " Lao Tzu's hesitancy to name ...
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常見字詞
actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing