Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 84 筆
第 324 頁
... means of some modern Western literary theories , we should by all means avoid putting words in our ancient Chinese critics ' mouth by the pretext that it is a matter of point of view . There- fore , a critic's own understanding of the ...
... means of some modern Western literary theories , we should by all means avoid putting words in our ancient Chinese critics ' mouth by the pretext that it is a matter of point of view . There- fore , a critic's own understanding of the ...
第 448 頁
... means by which that distance can become presence , as immediate to us as everyday language as we said earlier , to discover a synchronic present in a patent diachrony . One means is a special interpretation of history , one which ...
... means by which that distance can become presence , as immediate to us as everyday language as we said earlier , to discover a synchronic present in a patent diachrony . One means is a special interpretation of history , one which ...
第 559 頁
... means by which the poet communicates his ideas most effectively . The character t'i in Liu Hsieh's first point wei - t'i can mean " body , " which implies a structure . Interpreted this way , wei - t'i should then mean four things ...
... means by which the poet communicates his ideas most effectively . The character t'i in Liu Hsieh's first point wei - t'i can mean " body , " which implies a structure . Interpreted this way , wei - t'i should then mean four things ...
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常見字詞
actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing