Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 72 筆
第 261 頁
... narratives are conceived of as sequences of invariant functions ( motifemes ) , described by a narrative grammar . The variability of a particular narrative is explained by mappings ( transformations , projections ) taking the invariant ...
... narratives are conceived of as sequences of invariant functions ( motifemes ) , described by a narrative grammar . The variability of a particular narrative is explained by mappings ( transformations , projections ) taking the invariant ...
第 266 頁
... narrative worlds . Thus , we are left with a very poor typology , differentiating two narrative worlds only . At a closer inspection , however , the significance of the categorial typology for narrative theory becomes apparent . Firstly ...
... narrative worlds . Thus , we are left with a very poor typology , differentiating two narrative worlds only . At a closer inspection , however , the significance of the categorial typology for narrative theory becomes apparent . Firstly ...
第 424 頁
... narrative irony arising from a " configurative " interpretation37 is to be perceived as the author's intentional artistic manipulation . When the reader applies these norms against the protagonist's dramatic action in the narrative in ...
... narrative irony arising from a " configurative " interpretation37 is to be perceived as the author's intentional artistic manipulation . When the reader applies these norms against the protagonist's dramatic action in the narrative in ...
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actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing