Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 20 筆
第 269 頁
... narrator's texture is endowed with an automatic and absolute authentication force . Whatever is asserted in the narrator's texture , exists in the fictional world . The mode of fictional existence , constructed by the absolute ...
... narrator's texture is endowed with an automatic and absolute authentication force . Whatever is asserted in the narrator's texture , exists in the fictional world . The mode of fictional existence , constructed by the absolute ...
第 424 頁
... narrator . Thus , to a perceptive reader , any narrative irony arising from a " configurative " interpretation37 is to be perceived as the author's intentional artistic manipulation . When the reader applies these norms against the ...
... narrator . Thus , to a perceptive reader , any narrative irony arising from a " configurative " interpretation37 is to be perceived as the author's intentional artistic manipulation . When the reader applies these norms against the ...
第 531 頁
... narrator fails to implement or observe closely in his metaphoric extension . Granting that Tao is unnamable and that enough is enough , the latter narrator in Lao Tzu himself , however , tends to forget the a posteriori truth : That ...
... narrator fails to implement or observe closely in his metaphoric extension . Granting that Tao is unnamable and that enough is enough , the latter narrator in Lao Tzu himself , however , tends to forget the a posteriori truth : That ...
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actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing