Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 10 筆
第 327 頁
... parallelism is not recognized until one has finished reading the couplet as a whole ( or at least until enough syntagmatic elements in the second line are processed to signal that a matching is going on ) . Then the recognition entails ...
... parallelism is not recognized until one has finished reading the couplet as a whole ( or at least until enough syntagmatic elements in the second line are processed to signal that a matching is going on ) . Then the recognition entails ...
第 343 頁
... parallelism may be defined . The first kind is parallelism within the line . " New home " may be equated to " Mêng Wall mouth " in the sense that they both are noun - syntagms but the very parallelism employs a contrast in the number of ...
... parallelism may be defined . The first kind is parallelism within the line . " New home " may be equated to " Mêng Wall mouth " in the sense that they both are noun - syntagms but the very parallelism employs a contrast in the number of ...
第 344 頁
... parallelism as a structural force superimposed on the poetic text and on the reading as well , and 2 ) as a force of signification in the poetic text . In the first line , the word " home " may function as a verb as well as a noun . As ...
... parallelism as a structural force superimposed on the poetic text and on the reading as well , and 2 ) as a force of signification in the poetic text . In the first line , the word " home " may function as a verb as well as a noun . As ...
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actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing