Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 85 筆
第 494 頁
... poem by a shift from " telling " to " showing . " The Final Scene The presentation of " scene " is by nature open - ended . But when the " scene " appears at the end of a poem it is even more so . To end a poem with a " scene , " known ...
... poem by a shift from " telling " to " showing . " The Final Scene The presentation of " scene " is by nature open - ended . But when the " scene " appears at the end of a poem it is even more so . To end a poem with a " scene , " known ...
第 517 頁
... poem is Barthes's anachronic subject . If we read the poem in a linear fashion , we are taken in by the deception . The poem sets up a medial scene of ravishment ( Barthes's sumptuous montage of images ) to exlain an initial moment of ...
... poem is Barthes's anachronic subject . If we read the poem in a linear fashion , we are taken in by the deception . The poem sets up a medial scene of ravishment ( Barthes's sumptuous montage of images ) to exlain an initial moment of ...
第 562 頁
... poetic virtue : " The value of Winters as a critic lies in the fact that Winters insists on obtaining from the poem a satisfactory rational content or logical structure . " 18 Ransom uses the term " logical structure " to refer to a poem's ...
... poetic virtue : " The value of Winters as a critic lies in the fact that Winters insists on obtaining from the poem a satisfactory rational content or logical structure . " 18 Ransom uses the term " logical structure " to refer to a poem's ...
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actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing