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第 1 到 3 筆結果，共 86 筆
第 494 頁
When we look at the conclusion of the poem , we realize that the middle “ scene ” certainly helps to convince the poet that life is to be enjoyed . For what can more strikingly illustrate the urgency and the wisdom of enjoying life ...
When we look at the conclusion of the poem , we realize that the middle “ scene ” certainly helps to convince the poet that life is to be enjoyed . For what can more strikingly illustrate the urgency and the wisdom of enjoying life ...
第 517 頁
If we read the poem in a linear fashion , we are taken in by the deception . The poem sets up a medial scene of ravishment ( Barthes's sumptuous montage of images ) to exlain an initial moment of non - sense to which the speaker of the ...
If we read the poem in a linear fashion , we are taken in by the deception . The poem sets up a medial scene of ravishment ( Barthes's sumptuous montage of images ) to exlain an initial moment of non - sense to which the speaker of the ...
第 562 頁
John Crowe Ransom praises Yvor Winters for his high regard for structure as a poetic virtue : “ The value of Winters as a ... 18 Ransom uses the term “ logical structure ” to refer to a poem's argument or theme ; this reminds one of Liu ...
John Crowe Ransom praises Yvor Winters for his high regard for structure as a poetic virtue : “ The value of Winters as a ... 18 Ransom uses the term “ logical structure ” to refer to a poem's argument or theme ; this reminds one of Liu ...
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actual aesthetic already analysis appear approach Barthes become beginning called character China Chinese Chinese literature classical Comparative Literature concept concern considered constructed context continue course criticism cultural described discourse discussion effect English essay example existence experience expression fact feeling fictional function give given hand hermeneutics human individual interest interpretation kind language lines linguistic literary Marxism meaning metaphor method mind mode narrative nature novel object observation original particular patterns perhaps person poem poet poetic poetry position possible Pound practice present Press principle problem question reader reading reference relation relationship result rules scene seems semantic sense signifier social story Structuralist structure suggests symbol theme theory things tradition translation understanding University Western writing