Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 79 筆
第 261 頁
... possible only through textural , stylistic , verbal innovations . The producers of narrative are restricted to retelling the same set of narratives , trying to find again and again new wordings for them.1 The validity of the ...
... possible only through textural , stylistic , verbal innovations . The producers of narrative are restricted to retelling the same set of narratives , trying to find again and again new wordings for them.1 The validity of the ...
第 262 頁
... possible worlds semantics provides set- theoretical models used in formal logic for the interpretation of modal , intensional and intentional concepts and contexts ( Kripke , 1963 ; Hintikka , 1975 ) . For literary theory the interest ...
... possible worlds semantics provides set- theoretical models used in formal logic for the interpretation of modal , intensional and intentional concepts and contexts ( Kripke , 1963 ; Hintikka , 1975 ) . For literary theory the interest ...
第 272 頁
... possible structures to the " imitations " of the actual world , i.e. to stereotyped models of the actual world.14 Moreover , the set of possible fictional worlds cannot be exhausted by the constructed universe of logical semantics . As ...
... possible structures to the " imitations " of the actual world , i.e. to stereotyped models of the actual world.14 Moreover , the set of possible fictional worlds cannot be exhausted by the constructed universe of logical semantics . As ...
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actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing