Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 32 筆
第 291 頁
... produce its informing principles on demand ; and second , because if one were to produce those principles -- that is , make one's assumptions explicit that activity would itself occur within assumptions of which one was not and could ...
... produce its informing principles on demand ; and second , because if one were to produce those principles -- that is , make one's assumptions explicit that activity would itself occur within assumptions of which one was not and could ...
第 384 頁
... production and relations of production . In reductionist ( and mechanistic ) formulations this becomes the thesis that literature passively reflects conditons and changes in the socio - economic base . Due to a lurking fear of ...
... production and relations of production . In reductionist ( and mechanistic ) formulations this becomes the thesis that literature passively reflects conditons and changes in the socio - economic base . Due to a lurking fear of ...
第 571 頁
... production and reception . " We are not concerned with Mailloux's criticism of Wellek's giving dominance to the history of production in the general discussion of literary history ; our concern here is with the implications of the two ...
... production and reception . " We are not concerned with Mailloux's criticism of Wellek's giving dominance to the history of production in the general discussion of literary history ; our concern here is with the implications of the two ...
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常見字詞
actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing