Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 40 筆
第 220 頁
... reality to its photograph it is in no way necessary to divide up this reality into units and to constitute these units as signs , substantially different from the object they communicate ; there is no necessity to set up a relay , that ...
... reality to its photograph it is in no way necessary to divide up this reality into units and to constitute these units as signs , substantially different from the object they communicate ; there is no necessity to set up a relay , that ...
第 489 頁
... reality . They are : 1 ) the correlative , in which outer reality and inner feeling are separately juxtaposed ; 2 ) the collocational , in which outer reality and inner feeling are conflated in a single syntactical unit , which is ...
... reality . They are : 1 ) the correlative , in which outer reality and inner feeling are separately juxtaposed ; 2 ) the collocational , in which outer reality and inner feeling are conflated in a single syntactical unit , which is ...
第 506 頁
... reality must in one way or another be closely bound up with his perception of reality . Our final query has been precisely to look at some such important implications of this mode , both its normative presence in Chinese poetry and its ...
... reality must in one way or another be closely bound up with his perception of reality . Our final query has been precisely to look at some such important implications of this mode , both its normative presence in Chinese poetry and its ...
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常見字詞
actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing