Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 62 筆
第 489 頁
... relationship between the two worlds is more intuitively perceived as having a metaphoric correspondence between them . Based on my comparative study mentioned earlier , 3 three major modes . of presentation can be distinguished ...
... relationship between the two worlds is more intuitively perceived as having a metaphoric correspondence between them . Based on my comparative study mentioned earlier , 3 three major modes . of presentation can be distinguished ...
第 496 頁
... relationship between " scene " and " feeling " and says : " All language of scene is , in fact , language of feeling ... relationship between outer reality and inner feeling , the very premise of the correlative mode , is not an ...
... relationship between " scene " and " feeling " and says : " All language of scene is , in fact , language of feeling ... relationship between outer reality and inner feeling , the very premise of the correlative mode , is not an ...
第 501 頁
... relationship between " scene " and " feeling " in the correlative mode , where the relationship between them is achieved by a quiet juxtaposi- tion which does not explicitly state their connection . First , there is the scene of the ...
... relationship between " scene " and " feeling " in the correlative mode , where the relationship between them is achieved by a quiet juxtaposi- tion which does not explicitly state their connection . First , there is the scene of the ...
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常見字詞
actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing