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第 1 到 3 筆結果，共 48 筆
第 488 頁
of the poet's inner world ; ching ( hereafter “ scene ” or outer reality ) usually refers to a scene in nature or outer reality in general . Depiction of " scene " has since the very beginning of Chinese poetry been regarded as the most ...
of the poet's inner world ; ching ( hereafter “ scene ” or outer reality ) usually refers to a scene in nature or outer reality in general . Depiction of " scene " has since the very beginning of Chinese poetry been regarded as the most ...
第 491 頁
It established the notion of " scene " as the most natural and spontaneous means of expressing “ feeling ; ” it also established the disjunctive juxtaposition of " scene ” and “ feeling ” as a proto - mode of poetic expression in ...
It established the notion of " scene " as the most natural and spontaneous means of expressing “ feeling ; ” it also established the disjunctive juxtaposition of " scene ” and “ feeling ” as a proto - mode of poetic expression in ...
第 494 頁
10 The seemingly discontinuous middle “ scene , ” ( lines 5-6 ) which constitutes a substantial part of the rather fragmented central couplets of regulated verse , not only correlates with the preceding " feeling " but does , in fact ...
10 The seemingly discontinuous middle “ scene , ” ( lines 5-6 ) which constitutes a substantial part of the rather fragmented central couplets of regulated verse , not only correlates with the preceding " feeling " but does , in fact ...
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常見字詞
actual aesthetic already analysis appear approach Barthes become beginning called character China Chinese Chinese literature classical Comparative Literature concept concern considered constructed context continue course criticism cultural described discourse discussion effect English essay example existence experience expression fact feeling fictional function give given hand hermeneutics human individual interest interpretation kind language lines linguistic literary Marxism meaning metaphor method mind mode narrative nature novel object observation original particular patterns perhaps person poem poet poetic poetry position possible Pound practice present Press principle problem question reader reading reference relation relationship result rules scene seems semantic sense signifier social story Structuralist structure suggests symbol theme theory things tradition translation understanding University Western writing