Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 6 筆
第 38 頁
... spatial form , which was characterized as a development " in modern fiction and poetry whereby techniques are used to subvert sequence , chronology and the linear flow of words , " thereby creating a synchronic rather than diachronic ...
... spatial form , which was characterized as a development " in modern fiction and poetry whereby techniques are used to subvert sequence , chronology and the linear flow of words , " thereby creating a synchronic rather than diachronic ...
第 143 頁
... spatial distance , the poet strongly feels , can be accomplished by the thorough control of time . A few of Hsieh's poems written in his exile and retirement begin in the same way . " On Climbing the Highest Peak of Stone Gate " " & ÃƑ ...
... spatial distance , the poet strongly feels , can be accomplished by the thorough control of time . A few of Hsieh's poems written in his exile and retirement begin in the same way . " On Climbing the Highest Peak of Stone Gate " " & ÃƑ ...
第 228 頁
... spatial / temporal in ( d ) . It holds true intramodally as well : spatial in ( e ) and temporal in ( f ) . Notice that I use the adjectives ' compatible ' and ' parallel . ' Point by point identity is obviously not required . Thus even ...
... spatial / temporal in ( d ) . It holds true intramodally as well : spatial in ( e ) and temporal in ( f ) . Notice that I use the adjectives ' compatible ' and ' parallel . ' Point by point identity is obviously not required . Thus even ...
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actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing