Tamkang Review, 第 14 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1984 |
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第 1 到 3 筆結果,共 80 筆
第 274 頁
... structures . 9. According to Kirk ( 1970 , 224 ) , the typical structure of the mythological world is tripartite : the natural domain of humans is placed between two domains of the supernatural , the upper domain ( the heaven ) and the ...
... structures . 9. According to Kirk ( 1970 , 224 ) , the typical structure of the mythological world is tripartite : the natural domain of humans is placed between two domains of the supernatural , the upper domain ( the heaven ) and the ...
第 559 頁
... structure where there is no place for looseness and confusion . A perfect structure is a means by which the poet communicates his ideas most effectively . The character t'i in Liu Hsieh's first point wei - t'i can mean " body , " which ...
... structure where there is no place for looseness and confusion . A perfect structure is a means by which the poet communicates his ideas most effectively . The character t'i in Liu Hsieh's first point wei - t'i can mean " body , " which ...
第 562 頁
... structure in literature . John Crowe Ransom praises Yvor Winters for his high regard for structure as a poetic virtue : " The value of Winters as a critic lies in the fact that Winters insists on obtaining from the poem a satisfactory ...
... structure in literature . John Crowe Ransom praises Yvor Winters for his high regard for structure as a poetic virtue : " The value of Winters as a critic lies in the fact that Winters insists on obtaining from the poem a satisfactory ...
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actual already appears approach Barthes become beginning called century character China Chinese classical Comparative Literature concept concerns conference considered constructed course criticism cultural described discussion effect elements English example existence experience expression fact feeling fictional function give hand hermeneutics human individual interest interpretation Japan Japanese kind language lines linguistic literary live meaning metaphor method mind mode motif narrative nature novel object observation once organic original particular patterns perhaps poem poet poetic poetry possible Pound practice present Press principle problem provides question reader reading reference relation relationship result rules scene scholars seems semantic sense social society story Structuralist structure suggests symbol theme theory things tradition translation understanding University utopia Western writing