Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 268 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 5 筆結果,共 70 筆
... (Hong Kong: Hong Kong University Press). Various parts of the book have been presented in numerous conferences and seminars, and I thank participants from London, Cambridge, and Leeds to Turin, St. Louis, and Taipei for their feedback ...
... Hong Kong featuring male homosexual themes and characters is a striking but fairly recent phenomenon. Indeed, an Encyclopedia of Chinese Film published in 1998 acknowledges that “as a theme, homosexuality did not receive serious ...
... Hong Kong, a construct known as “Chineseness” has been foregrounded in this book. However, the basis of this Chineseness, be it race/ethnicity, culture, language, or geopolitics, is often fraught with dispute.4 In English-language ...
... Hong Kong. As a result, the national and cultural identities that have grown out of this separation imply that people from Taiwan and Hong Kong—coupled with their extended period of colonial experience under the Japanese (Taiwan) and ...
... Hong Kong as distinct “national” cinemas is nullified insofar as the three cinemas are subsumed under the umbrella term of “Chinese cinema(s)” (or, as we shall see below, “transnational Chinese cinemas”), a practice that has become an ...
內容
1 | |
1 Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine and Zhang Yuans East Palace West Palace | 69 |
Wong Karwais Happy Together | 99 |
The Poetics of Tsai Mingliangs Queer Cinema | 126 |
Stanley Kwan as Gay Director | 153 |
Conclusion | 180 |
Notes | 187 |
Filmography | 211 |
Glossary of Chinese Characters | 217 |
Works Cited | 221 |
Index | 241 |