Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 268 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
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第 1 到 5 筆結果,共 43 筆
... Tsai Ming-liang's Queer Cinema 6 Fragments of Darkness: Stanley Kwan as Gay Director Conclusion Notes Filmography Glossary of Chinese Characters Works Cited Index ix xv 1 19 41 69 99 126 153 180 187 211 217 221 241 Acknowledgments Most ...
... Tsai Mingliang, has always been very encouraging towards my work, and the Southern England Modern Chinese Literature Seminar he organized with Susan Daruvala was the highlight of my postgraduate years. In November 1997 I was ...
... Tsai Ming-liang for supplying me with video copies of his early work. I could not have completed this book in the summer of 2005 without the following friends, who came to my last-minute rescue; to them I am immensely grateful: Jeroen ...
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內容
1 | |
1 Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine and Zhang Yuans East Palace West Palace | 69 |
Wong Karwais Happy Together | 99 |
The Poetics of Tsai Mingliangs Queer Cinema | 126 |
Stanley Kwan as Gay Director | 153 |
Conclusion | 180 |
Notes | 187 |
Filmography | 211 |
Glossary of Chinese Characters | 217 |
Works Cited | 221 |
Index | 241 |