Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 268 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 5 筆結果,共 53 筆
... Notes Filmography Glossary of Chinese Characters Works Cited Index ix xv 1 19 41 69 99 126 153 180 187 211 217 221 241 Acknowledgments Most first-book acknowledgments begin with thanking one's PhD supervisors. Contents.
... characters appear mainly as they do in the films' English subtitles. For the sake of clarity, names of characters whose first given names are the pinyin A (as in A Lan) are spelled as Ah (as in Ah Lan). Chinese names are listed surnames ...
... characters is a striking but fairly recent phenomenon. Indeed, an Encyclopedia of Chinese Film published in 1998 acknowledges that “as a theme, homosexuality did not receive serious attention until the 1990s” (Yingjin Zhang and Xiao ...
... characters necessarily declare themselves as homosexuals or identify with an identity category known as “homosexuals” (in many cases they do not). As with the issue of Chineseness, I am concerned with a non-monolithic, non-essentialized ...
... characters, gender presentations, and forms of subjectivity, on the other” (1998, 109; emphasis in original). I have brought in Halperin's refutation of the popular (mis)understanding of Foucault's account of the history of (homo) ...
內容
1 | |
1 Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine and Zhang Yuans East Palace West Palace | 69 |
Wong Karwais Happy Together | 99 |
The Poetics of Tsai Mingliangs Queer Cinema | 126 |
Stanley Kwan as Gay Director | 153 |
Conclusion | 180 |
Notes | 187 |
Filmography | 211 |
Glossary of Chinese Characters | 217 |
Works Cited | 221 |
Index | 241 |