Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 268 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 5 筆結果,共 46 筆
... analysis of key films and auteurs, reading them within contexts as varied as pre-modern, transgender practice in Chinese theater to post1 modern, diasporic forms of sexualities. It argues that representations of. Introduction.
... context” (1997a, 3; emphasis in original). Delineating the different levels in which transnationalism can be observed in the Chinese case, Lu seems to emphasize the “globalization of the mechanisms of film production, distribution, and ...
... context? To answer the first question, as Kevin Kopelson notes, it is by now “a commonplace of Foucauldian criticism that homosexual identities, as opposed to homosexual acts, arose only after a number of relatively recent, and ...
... context because classical Chinese language lacked a term comparable to “homosexuality” or “homosexual.” Rather, “[Homosexuality] was usually discussed using poetic metaphors referring to earlier men or incidents famed for association ...
... context—the centrality of identity in the Chinese understanding of homosexuality since the early twentieth century has been, as Hinsch argues, largely an effect of the advent of Western sexological discourses. I would highlight the role ...
內容
1 | |
1 Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine and Zhang Yuans East Palace West Palace | 69 |
Wong Karwais Happy Together | 99 |
The Poetics of Tsai Mingliangs Queer Cinema | 126 |
Stanley Kwan as Gay Director | 153 |
Conclusion | 180 |
Notes | 187 |
Filmography | 211 |
Glossary of Chinese Characters | 217 |
Works Cited | 221 |
Index | 241 |