Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 268 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 5 筆結果,共 80 筆
... identity politics underpinning discussions of selected films. Fourth, it provides an indepth analysis of key films and auteurs, reading them within contexts as varied as pre-modern, transgender practice in Chinese theater to post1 ...
... identities that have grown out of this separation imply that people from Taiwan and Hong Kong—coupled with their extended period of colonial experience under the Japanese (Taiwan) and the British (Hong Kong)—can no longer be simply ...
... identities” (2000a, 161). For me, the more important question is not whether Chinese (national) cinema(s) ought to ... identity categories, a necessary evil, not only must the constructedness of any category be highlighted as Berry has ...
... identity category known as “homosexuals” (in many cases they do not). As with the issue of Chineseness, I am ... identities, as opposed to homosexual acts, arose only after a number of relatively recent, and primarily sexological ...
... identity. While Foucault's argument relates to nineteenth-century Europe, the dichotomy between sexual act and sexual identity arising from this popular understanding arguably informs other historical accounts of homosexuality, usually ...
內容
1 | |
1 Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine and Zhang Yuans East Palace West Palace | 69 |
Wong Karwais Happy Together | 99 |
The Poetics of Tsai Mingliangs Queer Cinema | 126 |
Stanley Kwan as Gay Director | 153 |
Conclusion | 180 |
Notes | 187 |
Filmography | 211 |
Glossary of Chinese Characters | 217 |
Works Cited | 221 |
Index | 241 |