Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 268 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 5 筆結果,共 59 筆
... issue of homosexuality is negotiated in contemporary Chinese societies and Chinese cinemas. Third, it examines the meaning, politics, and burden of cinematic representation and interrogates the related identity politics underpinning ...
... issue of Daedalus (later edited as a book by Tu Wei-ming 1994b). The second is the fall 1998 special issue of boundary 2 (also edited as a book by Rey Chow 2000b). While both books contain heterogeneous voices, the positions taken by ...
... issues. First, by describing “a Mandarin-language film made and released in the People's Republic of China” as an ... issue of non-Han minorities and their languages, which cannot be classified as “Chinese,” is not addressed.14 Second ...
... issue of agency, Berry argues for “recasting national cinema as a multiplicity of projects, authored by different individuals, groups, and institutions with various purposes, but bound together by the politics of national agency and ...
... issues by raising the possibility of a queer Chinese cinema in the conclusion. Speaking of Homosexuality By “male ... issue of Chineseness, I am concerned with a non-monolithic, non-essentialized understanding of homosexuality. Hence ...
內容
1 | |
1 Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine and Zhang Yuans East Palace West Palace | 69 |
Wong Karwais Happy Together | 99 |
The Poetics of Tsai Mingliangs Queer Cinema | 126 |
Stanley Kwan as Gay Director | 153 |
Conclusion | 180 |
Notes | 187 |
Filmography | 211 |
Glossary of Chinese Characters | 217 |
Works Cited | 221 |
Index | 241 |