Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 268 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
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第 1 到 5 筆結果,共 36 筆
... notions of the nation both as a people and as a state are undergoing contradictory waves of dismantling and regrouping, at once deconstructionist and essentializing. In terms of cinema, the challenges posed to the notion of the nation ...
... notion of sexual identities. In a drastically different reading of the Foucault passage quoted above, David Halperin argues that Foucault's “schematic opposition between sodomy and homosexuality is first and foremost a discursive ...
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內容
1 | |
1 Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine and Zhang Yuans East Palace West Palace | 69 |
Wong Karwais Happy Together | 99 |
The Poetics of Tsai Mingliangs Queer Cinema | 126 |
Stanley Kwan as Gay Director | 153 |
Conclusion | 180 |
Notes | 187 |
Filmography | 211 |
Glossary of Chinese Characters | 217 |
Works Cited | 221 |
Index | 241 |