Walt DisneyKnopf Doubleday Publishing Group, 2006年10月31日 - 880 頁 ONE OF THE HOLLYWOOD REPORTER'S 100 GREATEST FILM BOOKS OF ALL TIME • The definitive portrait of one of the most important cultural figures in American history: Walt Disney. Walt Disney was a true visionary whose desire for escape, iron determination and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and then with his feature films–most notably Snow White, Fantasia, and Bambi. In his superb biography, Neal Gabler shows us how, over the course of two decades, Disney revolutionized the entertainment industry. In a way that was unprecedented and later widely imitated, he built a synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise. Walt Disney is a revelation of both the work and the man–of both the remarkable accomplishment and the hidden life. Winner of the Los Angeles Times Book Prize for Biography and USA Today Biography of the Year |
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... NEAL GABLER Life the Movie : How Entertainment Conquered Reality Winchell : Gossip , Power and the Culture of Celebrity An Empire of Their Own : How the Jews Invented Hollywood Walt Disney WALT DISNEY THE TRIUMPH OF THE AMERICAN ...
... NEAL GABLER Life the Movie : How Entertainment Conquered Reality Winchell : Gossip , Power and the Culture of Celebrity An Empire of Their Own : How the Jews Invented Hollywood Walt Disney WALT DISNEY THE TRIUMPH OF THE AMERICAN ...
第 xix 頁
... Hollywood's chief fan- tasist . “ He had a magic touch , but it turned things into gold , not art . He lacked perception and sensitivity for genuine artistic creativity , and his compulsion to control made him no respecter of the ...
... Hollywood's chief fan- tasist . “ He had a magic touch , but it turned things into gold , not art . He lacked perception and sensitivity for genuine artistic creativity , and his compulsion to control made him no respecter of the ...
第 73 頁
... Hollywood , then settled on the latter , where Roy was now recuperating and where Uncle Robert had relocated . He needed to leave . He would visit Union Station and " stand there with tears in my eyes and look at the trains going out ...
... Hollywood , then settled on the latter , where Roy was now recuperating and where Uncle Robert had relocated . He needed to leave . He would visit Union Station and " stand there with tears in my eyes and look at the trains going out ...
第 74 頁
... Hollywood . " There was , Walt said , no one to see him off , though Rudy Ising later recalled that he and some of the other Laugh - O - Gram veterans were on the platform filming his departure . Of Kansas City , where Walt had lived ...
... Hollywood . " There was , Walt said , no one to see him off , though Rudy Ising later recalled that he and some of the other Laugh - O - Gram veterans were on the platform filming his departure . Of Kansas City , where Walt had lived ...
第 76 頁
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Alice American Anderson Angeles animation Art Babbitt artist asked audience Babbitt Bambi began Ben Sharpsteen called Canemaker Card Walker cartoon character Diane Dick Huemer director Disney studio Disney's Disneyland drawing Elias employees Fantasia feature film Folder Frank Thomas gags going Greene and Greene Hollywood Hyperion ibid idea Inter-Office interview by Martin Iwerks Jack Kansas City later Laugh-O-Gram Lillian Marceline Memo Mickey Mouse Mickey's Milt Kahl Mintz Motion Picture never Ollie Johnston park Pinocchio Powers production Quoted in Hubler recalled Reel Richard Hubler Roy Disney Roy to Walt scene screen seemed Sept Seven Dwarfs Sharpsteen Snow White staff Stokowski Story Meetings storyman Sweatbox television theater thing Thomas and Johnston tion told trip Tytla Tytle Walt Disney Corr Walt Disney interview Walt to Roy Walt wrote Walt's wanted Ward Kimball week wrote Walt York