淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 85 筆
第 160 頁
... become a tabooed area . Any serious theoretical inquiry into and literary presentation of it would seem to open up the old wounds or at best foster a complacent feeling that we have fortunately survived that national disaster . Such ...
... become a tabooed area . Any serious theoretical inquiry into and literary presentation of it would seem to open up the old wounds or at best foster a complacent feeling that we have fortunately survived that national disaster . Such ...
第 175 頁
... become more human . While Virgil following Homer places the Hades chapter at the center point , connecting the first part of the hero's journey with the need to prepare him for his wars in the second part , Lo Mou - teng places the ...
... become more human . While Virgil following Homer places the Hades chapter at the center point , connecting the first part of the hero's journey with the need to prepare him for his wars in the second part , Lo Mou - teng places the ...
第 377 頁
... become autonomous or autotelic . In truth , a literary work is hardly separable from the intention of the author who creates it nor from the intention of the reader who reads it . The work , the author , and the reader are a trinity ...
... become autonomous or autotelic . In truth , a literary work is hardly separable from the intention of the author who creates it nor from the intention of the reader who reads it . The work , the author , and the reader are a trinity ...
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appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York