淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 46 筆
第 38 頁
... beginning of The Golden Cangue : the gossip of the two servants seems very snobbish . Here we are on a position to see one of Eileen Chang's " corrections " of The Dream of the Red Chamber . Eileen Chang seems to believe that the power ...
... beginning of The Golden Cangue : the gossip of the two servants seems very snobbish . Here we are on a position to see one of Eileen Chang's " corrections " of The Dream of the Red Chamber . Eileen Chang seems to believe that the power ...
第 349 頁
... beginning of The Iliad Homer invokes the Goddess of Song to help him compose a song about Achilles ' wrath . The invocation of the Muse also appears at the beginning of The Odyssey , where Homer asks her to reveal to him the story of ...
... beginning of The Iliad Homer invokes the Goddess of Song to help him compose a song about Achilles ' wrath . The invocation of the Muse also appears at the beginning of The Odyssey , where Homer asks her to reveal to him the story of ...
第 362 頁
... beginning , the Taoist theme thus implicitly recurs in the last line , underlying this poem and many others by Li Po . Another example from Wang Wei ( 701-761 ) may make the poetic tech- nique of implication in Chinese poetry more clear ...
... beginning , the Taoist theme thus implicitly recurs in the last line , underlying this poem and many others by Li Po . Another example from Wang Wei ( 701-761 ) may make the poetic tech- nique of implication in Chinese poetry more clear ...
其他版本 - 查看全部
常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York