淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 46 筆
第 31 頁
... classical Chinese literature . It has been recognized by many Chinese critics as the only classical literary work that is fully imbued with the spirit of tragedy in the sense of a relentless tragic quest for the meaning of human ...
... classical Chinese literature . It has been recognized by many Chinese critics as the only classical literary work that is fully imbued with the spirit of tragedy in the sense of a relentless tragic quest for the meaning of human ...
第 124 頁
... classical novels have been labeled as " pornographic " or " subversive " and suffered official censorship . Typical examples are Chin P'ing Mei ( The Golden Lotus ) , Koshoku Ichidai Otoko ( The Life of an Amorous Man ) , and Shuo Yu Ch ...
... classical novels have been labeled as " pornographic " or " subversive " and suffered official censorship . Typical examples are Chin P'ing Mei ( The Golden Lotus ) , Koshoku Ichidai Otoko ( The Life of an Amorous Man ) , and Shuo Yu Ch ...
第 415 頁
... classical Chinese theatre , or to drop it as a meaningless question . However , the brief information above may at least lead to the following tentative conclusion : 1. The first scenarios / scripts in the classical theatre in China ...
... classical Chinese theatre , or to drop it as a meaningless question . However , the brief information above may at least lead to the following tentative conclusion : 1. The first scenarios / scripts in the classical theatre in China ...
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appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York